Tuesday, October 26, 2010

A "Behind-the-Scenes" Look of Annie Get Your Gun

The Blank Canvas!
I recently had the great opportunity to visit the cast of Annie Get Your Gun, and brought back with me a few juicy teasers for your enjoyment!

Rebecca Washko and Abigail Worthing
Once the music rehearsal (led by Music Director Rebekkah Willey) began, I waded through the shadows listening to the sweet sounds of "Moonshine Lullaby" and the vivacious chorus of “There’s No Business Like Show Business”.  I took time to wander around the room and observe the cast attentively as they crooned.  

Brandon Pullen  and  Rebekkah Willey

They all worked hard; Rebekkah often stopping to explain difficult parts of the written harmonies and playing them out slowly on the piano as the cast dutifully followed along in their song books and repeating the verses.  It was obvious that despite the hard work, they were having a total blast. I did my best to remain a wall flower as I listened. I snapped a few pictures and tapped my toe the entire time.  I think it was a true test of my will not to start singing along  to the well known and beloved tunes written by Irving Berlin and simply observe.

I couldn't help but notice that during rehearsal, costume designer Louise Keezer zoomed through the theater bringing down props, gowns, western styled hats and boots from the costume closets.  She took a moment to take a breather and share with me a few of the items she is preparing to try on the cast as "possibles" for the final costumes.  She she also shared with me that she is very excited to be working on this show; though she is still preparing for the undertaking of costuming such an enormous ensemble as this one.  Having worked with Louise in the past as an actress and a costuming helper, I have unmitigated  faith that she will, as always, out do herself and surprise us all with her pure genius.

I continued my meanderings into the box office where Kristi Drew, Producer for the show, was exercising her mutli-tasking skills.  She took a moment from her ever expanding "To Do" list to speak with me.  For those who don't know Kristi, she is a long time veteran of both Lyric Music Theater and Portland Players Theater.  In the past, she has usually been seen on stage, not working on the behind-the-scenes production side of a show.  Annie Get Your Gun will be the first show Kristi has been a producer for, as well as her first time working with director Wil Kilroy.


I asked Kristi what had led her to her wanting to try her hand a producing.  She replied that originally, she had been asked to join the Board of Directors at Lyric.  That is an understandably huge commitment, served purely on a volunteer basis.  Before she endeavored to join the board, she first hoped to learn the production side of theater.  She believes that by producing and experiencing the work that is required to get a show up and running she will be able to better understand the "behind the scenes" people and the effort they have to put into every run of a show that make those performing on stage look amazing.

I continued to ask Kristi if she was nervous attempting her first producing role.  Not only was Wil a director that she had never met or worked with before, but he was also a new director to Lyric. Kristi replied with a big smile stating that "Everyone has different styles and different ways of doing everything.  I was definitely very nervous, but very welcoming to the challenge." She elaborated that it is an equal opportunity to learn new practices of a new director and also gain her footing in the production staff.  Both of which will enrich her knowledge of theater from a perspective other than that of an actress.



I asked her if she has encountered anything (so far) that has been a big challenge for her and has there been anything as equally rewarding.  She laughed softly as she contemplated my questions before saying, "Yes, and I think that it is because I've never been on the other side of things. So scheduling, knowing who needs what nights off and when, has been difficult." She explained that in Community Theater, pretty much every person is there on a volunteer basis.  Those same people work all day and have families. As the producer, you are potentially dealing with a large ensemble of 20 and all of their scheduling needs and conflicts.  As for the reward part of my question, she remarked that the whole experience has been rewarding because you are able learn something new every day. She is, of course, anxious to see how everything from the production side and the performance of the actors merge together to create a final product, but that's just part of the process of getting everything done that needs to be done and ensuring you give the audience a fantastic experience.


My final question  for Kristi was what juicy teasers would she give us about what we could expect from this production, to which she mischievously replied, "All I'm going to say at this point is we have a fantastic ensemble. I think that the audience is going to be pleasantly surprised at the life they've given to this show. We've got a couple tricks up our sleeves, but other than that you'll have to come and see for yourselves what I'm talking about."



If you haven't already bought your tickets, you will want to do so immediately.  Many folks wait for the second or third weekends to attend the show or purchase tickets just before a showing.  As demonstrated with Evita, performances quickly sold out and those folks never got to see the spectacular performance.  So don't wait! Pre-order now online at www.lyricmusictheater.org!



Article and photographs by Crystal Giordano 

Wednesday, October 20, 2010

Audition Announcements!

Audition Information:



RENT
Book, Music & Lyrics: Jonathan Larson
Director: Michael Donovan
Music Director: Rebekkah Willey

December 6th and 7th 6-9:30 pm
Callbacks Saturday Dec 11th at 11:00 if needed.
YOU MUST BE AVAILABLE FOR CALLBACKS IF CALLED!!!!
There will be movement at the auditions. Please dress appropriately!!!!

Rehearsals will begin January 3rd and are Sunday, Monday, Tuesday, Wednesday and Thursday nights
from 7-10 pm.  Everyone should be available for all rehearsals.
 Rent will be cast based on the following criteria: Actors who can sing, singers who can act, talent before age, and passion before physical type. Rent will not be cast based on past incarnations and will not be a carbon copy of the Broadway show.
Please be 100% willing to work in an ensemble environment and with a very fast paced rehearsal process.
Rent is a story that works best with a cast of people who are 100% supportive of each other. If you aren't a team player...DON'T AUDITION!!!!!!Ages 17+ (If under 18 and cast, a letter of permission will be required)

NEEDED: 5 principle male roles and 3 principle female roles AND 4 male chorus members and 5 female chorus members (will play multiple roles). 
All actors must be comfortable with their bodies, willing to kiss members of the same sex, dress in drag, and leave all inhibitions at the stage door. Please prepare 16 – 32 bars of a pop/rock song and 16 – 32 bars of a ballad.
We recommend that you only pick songs you are very familiar and comfortable with. We want to hear your voice!
Please note that not everyone will sing both songs at auditions.
NO ACCAPELLA AUDITIONS AND NO ACCOMPANIMENT CD's.

PLEASE PROVIDE SHEET MUSIC WITH ACCOMPANIMENT (accompanist provided). Remember, we are looking for originality and personality! Show off who you are!
Please do not come dressed as your favorite 
Rent character.
Please note that all characters in 
Rent are meant to be honest, fully-realized people, not caricatures.

CHARACTER BREAKDOWN
MEN: 
MARK COHEN: (must pass for mid-to-late 20s to mid 30's, all ethnicities) Baritone/Second Tenor. A filmmaker. Left behind his affluent upbringing to pursue his craft. Would rather tell the story than be the story. Hides behind his camera.

ROGER DAVIS: (must pass for early-to-mid 20's to mid 30's, all ethnicities) Rock Tenor. Former frontman for a fledgling rock band. Tortured artist. Recovering drug addict. Searches for meaning through his songwriting and guitar. Playing guitar a plus.
TOM COLLINS: (must pass for late 20s to 30s, all ethnicities) Baritone. Philosopher, professor, activist. Former roommate of Mark, Roger, and Benny. Angel’s lover. The patriarch. Strong, yet warm presence.

BENNY: (must pass for mid-to-late 20s to mid 30's, all ethnicities) Baritone/second tenor. Went to college with Mark. Lived with Roger, Collins, Maureen and Mark. Married into a wealthy family. Hopes to fulfill dream of building an arts studio for his friends, while making money for his father-in-law.
ANGEL: (must pass for late teens to mid-20s, all ethnicities) High tenor with great falsetto. Living with AIDS. Warm, lovable, nurturing, and honest. The mother hen. Must be willing to convincingly play in drag. MUST BE ABLE TO DANCE IN HEELS.
4 MEN FOR ENSEMBLE (20s-30s): Great actors/singers who move well to play various characters including: JOANNE’S DAD, LIFE SUPPORT GROUP, SQUEEGE MAN, SEASONS OF LOVE SOLOIST and more.

WOMEN:
MIMI MARQUEZ: (must pass for late teens to late 20's, all ethnicities). Raw voice with high belt. Fragile drug addict. Sexy and street smart. Strong Dancer.
MAUREEN JOHNSON: (must pass for mid-to-late 20s to mid 30's, all ethnicities). A performance artist. Not as good as she leads on. Lover of Joanne. Selfish. She has a big range.
JOANNE JEFFERSON: (must pass for late-20s to 30s, all ethnicities). Pop belt. Harvard grad, lawyer. Affluent upbringing. Comfortable with her artistic liberal way of life and conservative upbringing. Insecure in her relationship with Maureen. Dry wit.
5 WOMEN FOR ENSEMBLE (20s-30s): Great actors/singers who move well to portray various characters including: ALEXI DARLING, MARK’S MOM, ROGER’S MOM, JOANNE’S MOM, SEASONS OF LOVE SOLOIST and more

Monday, October 18, 2010

Next at Lyric:

If you didn't make it to a showing of Evita, that is a real shame.  It was a thrilling show and has proved once again that if you wait too long you'll miss out! The show received a stunning review and  we sold out quickly in the last weekend leaving many bummed theater goers who were unable to get tickets.  


Annie Get Your Gun has been cast and is in the works. Tickets are on sale so get over to www.lyricmusictheater.org to reserve your sets now by purchasing tickets online or by calling the box office.  Great things are in store for you and we'll be back soon with a small taste. So keep your eyes open for some rehearsal photos and perhaps a few words from cast and crew!


Audition Results:

Annie Get Your Gun

Annie Oakley:            Cory Bucknam
Frank Butler:              David Van Duyne
Dolly:                           Janie Downey Maxwell
Buffalo Bill:                 Vince Knue
Winnie:                       Rebecca Washko
Tommy:                      Brandon Pullen 
Charlie:                       Adam Normand
Wilson:                       Jeff Newick (double as Pawnee Bill)
Sitting Bull:                 Louis Perrotta  
Annie's Sister:           Ava Desjardins
Little Jake:                 Jake Doolittle
Ensemble:                  Abigail Worthing (Annie u/s), Abbie Martin, Douglas Greer, Anne Johnson, Pat Moody, Chrystal Thorne, Andrew Shepard, Natasha Baxter, Eileen Hanley, Bailey Auspland, Cheryl Squiers, Sam Dunton.